Everyone is saying the same thing about Ashley Banjo’s Britain in Black and White documentary

It's made quite the impact

Ashley Banjo Britain Black White racism documentary Jim Davidson

by Nathan Katnoria |
Updated on

As part of the channel’s celebration of Black History Month, ITV aired a documentary called Britain in Black and White fronted by Diversity star and Dancing On Ice judge Ashley Banjo last night (Tuesday 18 October).

In the programme, Ashley explored the polarising reaction to the Black Lives Matter-inspired dance routine performed by his dance troupe on Britain’s Got Talent in the wake of George Floyd’s death last year. While many praised the performance - which was later granted a Must-see Moment BAFTA award in a public vote - for raising awareness of the important subject to a mainstream audience, broadcast watchdog Ofcom received over 24,000 complaints.

One of Diversity’s most vocal critics was comedian and former Celebrity Big Brother winner Jim Davidson, who furiously branded the performance “ridiculous” and “indulgent” in a tone-deaf YouTube video titled “Who needs Diversity?” In the shocking foul-mouthed clip, he made the awful suggestion that the group should have done a routine about “mugging” instead.

Ashley Banjo Britain Black White racism documentary Jim Davidson
©ITV

Ashley sat down with Jim for the documentary to discuss the comedian’s rant in a “real, direct, honest” conversation, with Ashley telling him, “As far as I’m concerned, that video you made… It was racist in every way, in every single way. It was personal and racist. I’m from this country, I love this country, I’m from a mixed race background.”

But Jim insisted his video had nothing to do with race and told Ashley, “No, you just happened to be black – it was about you.” He also claimed, “I support Black Lives Matter, but not Black Lives Matter the movement.”

Ashley Banjo Britain Black White racism documentary Jim Davidson
©ITV

Things then turned tense when Ashley questioned why Jim had in the video referred to George Floyd’s ethnicity when discussing his crime and pointed out that it was wrong. “Oh Jesus, this is f--king crazy,” Jim replied. He told Ashley he was “talking b----ks” and insisted Diversity’s performance was inappropriate for a “late entertainment show”.

After accidentally referring to Ashley as “George”, a flustered Jim then called time on the interview and branded it was “no-win”. He added, “Stick to the dancing, you’re brilliant,” as Ashley tried to stop him walking out of the conversation.

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Viewers rushed to social media to share their opinions after the scene aired on TV, with many criticising Jim for abruptly ending the interview.

One tweeted, “I’ve never watched someone on TV embarrass themselves the way Jim Davidson just did in that interview with Ashley Banjo,” while another added, “Jim Davidson. What a nasty, nasty piece of work. Can’t believe we used to watch him on our telly growing up. We’re with you all the way, Ashley Banjo.”

A third wrote, “#AshleyBanjo has done an amazing job trying to hold Jim Davidson accountable. The trouble with people like Davidson is that they will not ever see anything wrong with their actions or behaviour,” with one more commenting, “Wow. Ashley Banjo and Jim Davidson. Not many people would have a face off with Jim Davidson. I admire @AshleyBanjo for doing that.”

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Diversity’s dance routine, which originally aired on Britain’s Got Talent last September, included a white performer kneeling on Ashley’s neck in reference to that way that George Floyd died while in police custody. Dancers were dressed as riot police in the performance, which also tackled the topics of poverty, capitalism and the coronavirus pandemic.

While critics claimed the primetime entertainment show wasn’t the right place to make such a statement, an Ofcom spokesperson confirmed they would not be investigating the complaints made.

They said, “We carefully considered a large number of complaints about this artistic routine, an area where freedom of expression is particularly important.

"Diversity's performance referred to challenging and potentially controversial subjects, and in our view, its central message was a call for social cohesion and unity.

"Any depictions of violence by the performers were highly stylised and symbolic of recent global events, and there was no explicit reference to any particular political organisation - but rather a message that the lives of black people matter.”

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